Hot in the Cityby Dave Durbach / 29.03.2010
Melville played host on Saturday to the third installment of the rock ‘n roll free-for-all that is Joburg Burning. 32 bands, 5 venues. Like any other festival, one was faced with choices. Given the packed line-up, one would’ve struggled on the night to see more than seven or eight acts.
The first three hours of the evening were a gamble of lesser-known acts. A lack of available information on the bands, save for a simple timetable, meant that the choice for most people who showed up early came down largely to calculated guesswork, an avoidance of idiotic band names (eg. “We, the Kids,” and “Dance, You’re on Fire”), or a simple desire for convenience. With three of the venues within walking distance of each other on Main Road; waiting for an elusive shuttle to the Bohemenian or Back2Basix was for all intents and purposes, a bit of a mission.
Of the three early bands I ended up watching, Short Straw and The City Is The Desert offered little to write home about. Man As Machine impressed though. They put on an intense show in the sweaty basement of Cool Runnings. Perhaps overly reminiscent of Audioslave, they pulled it off convincingly nevertheless. “I rate Man As Machine is definitely one of my favourite bands at the moment,” I overhear on my way out afterwards. I think I know why.
It was really only after 10pm that things picked up. Crowds grew in size and drunkenness. Bigger bands took the stage. Hit and miss had become spoiled for choice.
Ree-Burth turned up the heat under Cool Runnings and drew a frenzied response from the crowd. Their classic rock sound may be neither the most original nor fashionable, but they make up for this in skill and enthusiasm. More than any other band on the night, they were having fun – a sure sign that these guys are going places.
Across the road, Durban five-piece Fire Through The Window put on a heavier than expected set at the Jozi G-Spot. Singer Sinead Dennis was a welcome exception to the prevailing sausagefest, and alongside Marc de la Querra the pair gives the band a Pixies veneer.
Ashtray Electric put on a good show for the ladies but were a little sedate for the big crowd at Roxy’s. Their songs may have came off a little dull but they’re not a bad band, and at the very least they held their own.
Surprisingly, it was Taxi Violence who stole the show. And I doubt it was the Klippies talking. Older and wiser than your average indie clothes-horses, Taxi Violence have gone from being old Kings of Leon bat-boys to crafting their own hard-hitting, grunge-influenced sound, thanks to the Rian Zietsman on his Firebird and bassist Jason Ling.
I made it back to catch the second half of the last band of the night – Desmond and the Tutus. By now it’s 1 a.m. and the crowd is surging. Some party animal crawls on stage before faceplanting off the monitor into a parting Red Sea. He survives and the Desmonds wind up what’s turned into a fairly epic night of music.
The latest edition of Joburg Burning will go down as a big success for all involved. It was an opportunity for young bands to share a stage with more established acts. Some were good, others were undeniably kak – all no doubt appreciated the strong turn-out and smooth organization. Audiences got plenty of bang for their 130 bucks, the variety of bands on show underlining the fact that we do have some quality rock acts in this country.
All images © Dave Durbach